Lamb of God Sculpture
March 31, 2025
In this episode of the Sculptor's Muse, Tracy discusses the creative inspiration behind her sculpture of The Lamb of God.
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Vernet was an accomplished painter that worked in the era that turned the corner from the Neoclassical to the Romantic styles. We will look at one of his maritime paintings in this week's Art Review. Image used Creative Commons License
For this Sculptor's Muse, Tracy interviews a fellow artist: Larry Willard, a local woodworker. Tracy and Larry discuss his artisan work for Wartrace Baptist Church.
For this week's Art Review, we will look at a sculpture from Roman antiquity and discover possible clues about who the sculptor was portraying. Image used Creative Commons license
In this Sculptor's Muse episode,Tracy discusses the importance of structure in creating the human figure.
Winterhalter was a Neoclassical portrait painter sought by the royalty and aristrocracy of Europe. In this Art Review we will look at his portrait of Princess Leonilla. Image used Creative Commons License
In this Sculptor's Muse podcast, Tracy shares her experience with learning a new technique - field sketching through watercolor.
In this week's Art Review, Tracy will be discussing a bronze sculpture by a court sculptor to the French King Loius XIV, Jean Raon. Image used Creative Commons License
Following last week's Art Review of a Northern European painting of the Adoration of the Shepherds; this week we will look at the same theme by a Southern European painter, Sabastiano Conca. Image used Creative Commons License
The fourth part of a four part series The Theology of Beauty - an interview with Dr. Matthew Miller. Tracy and Matthew discuss Beauty in Theology and its relation to Art and the human experience.
These next two weeks, we will be looking at two paintings depicting the Adoration of the Shepherds. This week will be from a Northern European painter and next week a Southern European painter; we will discuss the differences between the two. Image used Creative Commons license
